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	<title>Sammy and Beckett's Book Blog &#187; Recommended Reading</title>
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	<link>http://sammyandbeckett.com</link>
	<description>A Blog That Shrinks on the Page But Expands in the Mind</description>
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		<title>Survival Supervivencia Review</title>
		<link>http://sammyandbeckett.com/2009/05/07/survival-supervivencia-review/</link>
		<comments>http://sammyandbeckett.com/2009/05/07/survival-supervivencia-review/#comments</comments>
		<pubDate>Thu, 07 May 2009 21:00:31 +0000</pubDate>
		<dc:creator>JBernardini</dc:creator>
				<category><![CDATA[Margin Notes]]></category>
		<category><![CDATA[Recommended Reading]]></category>
		<category><![CDATA[Miguel Algarin]]></category>
		<category><![CDATA[Nuyorican Poets Cafe]]></category>
		<category><![CDATA[Survival Supervivencia]]></category>

		<guid isPermaLink="false">http://sammyandbeckett.com/?p=136</guid>
		<description><![CDATA[Today the Avenues of A, B and C are full of sushi restaurants, cafes and bars that serve martinis for double digit prices. It is a far cry from the place that Miguel Algarin grew up in and remained in. The neighborhood still has its charm that separates it completely from the rest of the [...]


Related posts:<ol><li><a href='http://sammyandbeckett.com/2010/02/01/review-reason-faith-and-revolution/' rel='bookmark' title='Permanent Link: Review: Reason Faith and Revolution'>Review: Reason Faith and Revolution</a> <small>Reason, Faith, and Revolution: Reflections on the God Debate (The...</small></li><li><a href='http://sammyandbeckett.com/2009/04/08/why-memorize-poetry/' rel='bookmark' title='Permanent Link: Why memorize poetry?'>Why memorize poetry?</a> <small>Mostly for the fun of it. In the NY Times...</small></li><li><a href='http://sammyandbeckett.com/2009/06/02/why-the-kindle-is-not-an-endgadget/' rel='bookmark' title='Permanent Link: Why the Kindle is Not An Endgadget'>Why the Kindle is Not An Endgadget</a> <small>The Kindle is a technological marvel that has the potential...</small></li></ol>

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			<content:encoded><![CDATA[<p><a href="http://www.amazon.com/Survival-Supervivencia-Miguel-Algarin/dp/1558855416%3FSubscriptionId%3D02E5W5871AJF7PMMMS82%26tag%3Dsamandbecsboo-20%26linkCode%3Dxm2%26camp%3D2025%26creative%3D165953%26creativeASIN%3D1558855416"><img src="http://ecx.images-amazon.com/images/I/41JXxyVtXuL._SL500_.jpg" /></a><a href="http://www.amazon.com/gp/product/1558855416?ie=UTF8&amp;tag=samandbecsboo-20&amp;linkCode=as2&amp;camp=1789&amp;creative=9325&amp;creativeASIN=1558855416">Today the Avenues of A, B and C</a> are full of sushi restaurants, cafes and bars that serve martinis for double digit prices. It is a far cry from the place that Miguel Algarin grew up in and remained in. The neighborhood still has its charm that separates it completely from the rest of the island of Manhattan. All day and all night the artists, the junkies, the drunks, the misplaced, and the curious still pace the blocks looking for something. Algarin’s friend and contemporary Miguel Pinero gave these instructions upon his death:<br />
<em></em></p>
<p><em>Just once before I die<br />
I want to climb up on a<br />
tenement sky<br />
to dream my lungs out till<br />
I cry then scatter my ashes<br />
thru the Lower East Side</em></p>
<p>The Lower East Side, or Loisaida, still has a very vibrant pulse and that’s why Mr. Algarin still lives here. Algarin’s latest work <em>Survival Supervencia </em>surveys the neighborhood through all of its changes for the good and the bad.<br />
<em><br />
Survival Supervencia</em> is an anthology of poetry and prose by the critically-acclaimed and “King of Loisaida,” Miguel Algarin. The poems range from 1974 to the present day. Most of them deal with the problems that Puerto Rican immigrants and their children had to deal with in the last half of the 20th century. While Algarin’s works focus on the small area of the world that exists between 14th Street and Houston Street, between 1st Avenue and Avenue D, his words ring a very universal tone.</p>
<p>Algarin often speaks of the language of Nuyorican (New York + Puerto Rico). It is the language of the streets. It is a raw language, one that has a rhythm and a soul and should not be cast aside by the elite as a cop-out for immigrants. Algarin is a master and one of the fore fathers of Nuyorican. Despite the fact that he is known for having a keen ear to the street and a hand to the heart of the city he is also a professor of English at Rutgers University and is in love with Keats, Shelley and Shakespeare.</p>
<p>Keats knew that he was going to die at a very young age and his writing reflected that. Every word was true and it meant something. With Algarin it is almost the same thing. He lived in a place and time where people that were close to him were dying at an alarming rate. Algarin lived through the heroin epidemic, the crack epidemic, the AIDS epidemic and the poverty and violence that he endured while living in Loisaida. His writing reflects this. Reading his poetry is like seeing a man have his head held under water and then taken out, but he knows that he’s going back under, and he spouts out every emotion that’s in his heart.</p>
<p>The Lower East Side of Manhattan is an ever changing neighborhood that Algarin has seen go through some dramatic changes since his arrival there in 1951. Last week I sat with an iced coffee at outdoor café on Avenue B and 6th street. Thirty-three years ago Algarin wrote:</p>
<p><em>when Bimbo shows the anguish on his mind<br />
and despairs that living on Avenue B between<br />
6th and 7th streets keeps him delivering his child to<br />
Bellevue’s emergency room for lung treatment<br />
because too much ghetto dirt has clogged his  	lungs,<br />
cold chills invade his little body… </em></p>
<p>After reading this passage, I felt bad that I had enjoyed my iced coffee on the same block that this poem took place. Like everything neighborhoods change and life keeps moving. More than anything Algarin is aware of this. He deals with the four major events in life extremely well; birth, lust, love and death.</p>
<p>As someone who is fascinated by New York City neighborhoods and their evolution I was enthralled by this anthology of life in Loisaida. <em>Survival Supervivencia</em> gives tremendous insight into a world that has not been exposed to middle America.</p>
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<p>Related posts:<ol><li><a href='http://sammyandbeckett.com/2010/02/01/review-reason-faith-and-revolution/' rel='bookmark' title='Permanent Link: Review: Reason Faith and Revolution'>Review: Reason Faith and Revolution</a> <small>Reason, Faith, and Revolution: Reflections on the God Debate (The...</small></li><li><a href='http://sammyandbeckett.com/2009/04/08/why-memorize-poetry/' rel='bookmark' title='Permanent Link: Why memorize poetry?'>Why memorize poetry?</a> <small>Mostly for the fun of it. In the NY Times...</small></li><li><a href='http://sammyandbeckett.com/2009/06/02/why-the-kindle-is-not-an-endgadget/' rel='bookmark' title='Permanent Link: Why the Kindle is Not An Endgadget'>Why the Kindle is Not An Endgadget</a> <small>The Kindle is a technological marvel that has the potential...</small></li></ol></p>
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		</item>
		<item>
		<title>The Accordionist&#8217;s Son</title>
		<link>http://sammyandbeckett.com/2009/03/30/the-accordionists-son/</link>
		<comments>http://sammyandbeckett.com/2009/03/30/the-accordionists-son/#comments</comments>
		<pubDate>Mon, 30 Mar 2009 15:40:23 +0000</pubDate>
		<dc:creator>Jason Hinkley</dc:creator>
				<category><![CDATA[Recommended Reading]]></category>
		<category><![CDATA[Bernardo Atxaga]]></category>
		<category><![CDATA[The Accordionists Son]]></category>

		<guid isPermaLink="false">http://sammyandbeckett.com/?p=42</guid>
		<description><![CDATA[In The Accordionist&#8217;s Son, Bernardo Atxaga brings the horrors of recent history to light without diminishing the mysteriously foreign and beautiful world that he has created. And it is another world that Atxaga has created, so particular in the details of both the land and its inhabitants that it feels organic like few fictional worlds [...]


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			<content:encoded><![CDATA[<p><a href="http://www.amazon.com/Accordionists-Son-Novel-Lannan-Translation/dp/1555975178%3FSubscriptionId%3D02E5W5871AJF7PMMMS82%26tag%3Dsamandbecsboo-20%26linkCode%3Dxm2%26camp%3D2025%26creative%3D165953%26creativeASIN%3D1555975178"><img src="http://ecx.images-amazon.com/images/I/51LQ8IO278L._SL500_.jpg" /></a>In <strong><a href="http://www.amazon.com/gp/product/1555975178?ie=UTF8&amp;tag=samandbecsboo-20&amp;linkCode=as2&amp;camp=1789&amp;creative=9325&amp;creativeASIN=1555975178">The Accordionist&#8217;s Son</a>,</strong> Bernardo Atxaga brings the horrors of recent history to light without diminishing the mysteriously foreign and beautiful world that he has created. And it is another world that Atxaga has created, so particular in the details of both the land and its inhabitants that it feels organic like few fictional worlds have. Atxaga&#8217;s ability to so effectively evoke the feelings of place gives the town of Obaba a synecdochic effect – Obaba is Franco, Spain in the same way that William Faulkner&#8217;s Yoknapatawpha County is the post-Reconstruction South and Gabriel García Márquez&#8217;s Macondo is Latin America. Such mastery of place has allowed Atxaga to create a living record of his people&#8217;s untold history, one above and beyond what even the best revisionist historicist could hope to accomplish.</p>
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		<title>The Gone-Away World</title>
		<link>http://sammyandbeckett.com/2009/03/14/the-gone-away-world/</link>
		<comments>http://sammyandbeckett.com/2009/03/14/the-gone-away-world/#comments</comments>
		<pubDate>Sun, 15 Mar 2009 00:48:28 +0000</pubDate>
		<dc:creator>Jason Hinkley</dc:creator>
				<category><![CDATA[Recommended Reading]]></category>
		<category><![CDATA[books]]></category>
		<category><![CDATA[Nick Harkaway]]></category>
		<category><![CDATA[The Gone Away World]]></category>

		<guid isPermaLink="false">http://sammyandbeckett.com/?p=10</guid>
		<description><![CDATA[Nick Harkaway&#8217;s debut novel, The Gone-Away World, brings magical realism to the post apocalyptic genre. A well written vision for futurists and luddites alike.


Related posts:The Accordionist&#8217;s Son In The Accordionist&#8217;s Son, Bernardo Atxaga brings the horrors of...
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			<content:encoded><![CDATA[<p>Nick Harkaway&#8217;s debut novel, <a href="http://www.amazon.com/gp/product/0307268861?ie=UTF8&amp;tag=samandbecsboo-20&amp;linkCode=as2&amp;camp=1789&amp;creative=9325&amp;creativeASIN=0307268861">The Gone-Away World</a><img style="border:none !important; margin:0px !important;" src="http://www.assoc-amazon.com/e/ir?t=samandbecsboo-20&amp;l=as2&amp;o=1&amp;a=0307268861" border="0" alt="" width="1" height="1" />, brings magical realism to the post apocalyptic genre. A well written vision for futurists and luddites alike.</p>
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		<title>The Enchantress of Florence</title>
		<link>http://sammyandbeckett.com/2009/03/14/the-enchantress-of-florence/</link>
		<comments>http://sammyandbeckett.com/2009/03/14/the-enchantress-of-florence/#comments</comments>
		<pubDate>Sun, 15 Mar 2009 00:29:12 +0000</pubDate>
		<dc:creator>Jason Hinkley</dc:creator>
				<category><![CDATA[Recommended Reading]]></category>
		<category><![CDATA[book review]]></category>
		<category><![CDATA[Salman Rushdie]]></category>
		<category><![CDATA[The Enchantress of Florence]]></category>

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		<description><![CDATA[In the The Enchantress of Florence: A Novel Salman Rushdie continues to explore his interest in how the supernatural can be brought to life through the power of storytelling. However, he does so without the grandiosely experimental postmodernism of his earlier works.


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			<content:encoded><![CDATA[<p>In the <em><a href="http://www.amazon.com/gp/product/0679640517?ie=UTF8&amp;tag=samandbecsboo-20&amp;linkCode=as2&amp;camp=1789&amp;creative=9325&amp;creativeASIN=0679640517">The Enchantress of Florence: A Novel</a><img style="border:none !important; margin:0px !important;" src="http://www.assoc-amazon.com/e/ir?t=samandbecsboo-20&amp;l=as2&amp;o=1&amp;a=0679640517" border="0" alt="" width="1" height="1" /></em> Salman Rushdie continues to explore his interest in how the supernatural can be brought to life through the power of storytelling. However, he does so without the grandiosely experimental postmodernism of his earlier works.</p>
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